Advanced Television Rewriting Workshop

WILLIAM RABKIN

Advanced Television Rewriting Workshop

WILLIAM RABKIN

Join the Waitlist

Subscribe to be notified when this course opens for registration.

And now what? You’ve finished your pilot or spec. The draft is saved on your computer (and backed up in ump-teen places, just in case of hard drive failure, theft, or an act of God). Now is the time for eyes other than yours to read the script. As the author, you can only catch so much. Script University is proud to offer this Advanced Television Rewriting course, where an established screenwriter will look over your ENTIRE screenplay and give you tips on how to polish it.

This eight-week course is broken up into four sessions that each focus on individual elements of the rewriting process. Each session, you will submit a section of your screenplay for review. Each session will also have focused lectures that help you on each step of your revision process. The lectures are there for support, but the focus of this course will be on your screenplay. Each session, you will submit to your instructor for private review, and you'll also have the option to share with other course participants for peer review.

Please note: In order to enroll in this course, you must have a completed, 1-hour drama screenplay.

Join the Waitlist

Subscribe to be notified when this course opens for registration.

And now what? You’ve finished your pilot or spec. The draft is saved on your computer (and backed up in ump-teen places, just in case of hard drive failure, theft, or an act of God). Now is the time for eyes other than yours to read the script. As the author, you can only catch so much. Script University is proud to offer this Advanced Television Rewriting course, where an established screenwriter will look over your ENTIRE screenplay and give you tips on how to polish it.

This eight-week course is broken up into four sessions that each focus on individual elements of the rewriting process. Each session, you will submit a section of your screenplay for review. Each session will also have focused lectures that help you on each step of your revision process. The lectures are there for support, but the focus of this course will be on your screenplay. Each session, you will submit to your instructor for private review, and you'll also have the option to share with other course participants for peer review.

Please note: In order to enroll in this course, you must have a completed, 1-hour drama screenplay.

Course outline

Course outline

Each session includes a written lecture and a writing assignment to turn in for personalized feedback from your instructor.


Meet the instructor

William Rabkin

William Rabkin, author of WRITING THE PILOT and co-author of best-selling book SUCCESSFUL TELEVISION WRITING, is a veteran showrunner whose executive producing credits include “Missing,” “Diagnosis Murder,” and “Martial Law.” He has most recently written for A&E’s new hit show The Glades. His writing and/or producing credits also include “Monk,” “Psych,” “SeaQuest,” “Spenser: For Hire,” “Hunter,” “Baywatch,” “Sliders,” “The Cosby Mysteries,” and “Nero Wolfe,” to name a few. In addition, Rabkin has directed episodes of “Diagnosis Murder” and several short films. He has led writing seminars in Madrid and Stockholm, consulted for broadcasters in Germany, Sweden, and the Netherlands, and served as an adjunct professor of screenwriting at Stephens College. He is currently a Visiting Assistant Professor of creative writing in the University of California, Riverside’s MFA Program, Palm Desert Graduate Center, and also teaches television writing at the UCLA Extension. He is the author of five original novels based on the characters from the show Psych and published by NAL: “A Mind Is A Terrible Thing to Read,” “Mind Over Magic,” “The Call of the Mild,” “A Fatal Frame of Mind,” and “Mind-Altering Murder.” He is also the co-creator and co-editor of The Dead Man, a monthly series of action horror novels publlished by Amazon’s 47North imprint.