Beginning Feature Film Writing: Acts II & III

DONALD H HEWITT

Beginning Feature Film Writing: Acts II & III

DONALD H HEWITT

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Act Ones of promising scripts sit in desk drawers all around the world because writers run out of steam when they try to tackle Act Two. Why? Because Act Two is tough to write. Those in the film industry often criticize scripts by referring to “the second act slump,” “the second act blahs,” or more directly, “the second act snooze.” Act Two has to payoff the promises made in Act One as well as make promises that will be paid off in Act Three. Now, Act Three? That’s another task altogether!

This course is designed to pick up where Beginning Feature Film Writing: Outline and Act I left off. If you are working your way to a completed screenplay, this is the next step. In this course, you will receive practical instruction on how to construct a thrilling Act Two and a satisfying Act Three.

Please note: Beginning Feature Film Writing: Outline and Act I is NOT a prerequisite for this course.

Join the Waitlist

Subscribe to be notified when this course opens for registration.

Act Ones of promising scripts sit in desk drawers all around the world because writers run out of steam when they try to tackle Act Two. Why? Because Act Two is tough to write. Those in the film industry often criticize scripts by referring to “the second act slump,” “the second act blahs,” or more directly, “the second act snooze.” Act Two has to payoff the promises made in Act One as well as make promises that will be paid off in Act Three. Now, Act Three? That’s another task altogether!

This course is designed to pick up where Beginning Feature Film Writing: Outline and Act I left off. If you are working your way to a completed screenplay, this is the next step. In this course, you will receive practical instruction on how to construct a thrilling Act Two and a satisfying Act Three.

Please note: Beginning Feature Film Writing: Outline and Act I is NOT a prerequisite for this course.

Course outline

Course outline

Each session includes a written lecture, a self test to reinforce your learning, creative exercises to take the lesson further, and a writing assignment to turn in for personalized feedback from your instructor.


Meet the instructor

Donald H Hewitt

Donald H Hewitt is a working screenwriter and WGA member with 20 years of industry experience. His feature film credits include the English-language screenplay for the Oscar-winning film Spirited Away, as well as My Neighbor Totoro and Howl's Moving Castle. Mr. Hewitt has written for Pixar, Working Title, Miramax, New Line, ABC Family, Disney and Fox Animation. He is currently writing the upcoming feature Gods of Mars.

Over the last 10 years, Donald has also been a passionate and dedicated screenwriting instructor using his extensive experience to guide students to success. Not only do Donald's students consistently place highly in contests (including winner Johan Ingler, whose script Frankie & Chair is now in production), but many of them have gone on to sell their projects. In fact, just this year 4 students have sold 5 projects. Donald has also had the privilege of working with some of the top producers in the industry, such as: David Heyman, John Lasseter, Peter Chernin, Kathleen Kennedy, Frank Marshall, Eric Fellner, Tim Bevan, Charles Roven and Alex Gartner.

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