Creating High Concept Screenplay Ideas
Creating High Concept Screenplay Ideas
$19.99
This course is self-paced and on demand. You can go through the materials and complete assignments at your own pace. There is no instructor or peer interaction in this course.
High concept screenplays are what sell in Hollywood. They also make great writing samples for new screenwriters because it shows they have the skills it takes to create ideas with a strong and broad appeal. Writers—if they’re paying attention—come across a dozen potential story ideas every day, from snippets of overheard conversation, or an unusual headline, or a single image or gesture glimpsed out of the corner of the eye that starts the mind wandering. The real question is, How do we recognize those ideas that have the potential to be something more than a pleasant momentary distraction…that contain enough intrinsic intrigue, possibility, and tension to build a full story and even a full world around them, and which offer the writer ways of finding new dimensions of story and character throughout a long writing process?
This course will give writers tools for generating and refining high concept ideas, from paying attention to—and seeking out—those initial sparks of inspiration which might launch a screenplay to finding ways not just of sustaining the story but building its potential, forward momentum, and meaning. The goal of the course is not only to help you discover those places you might seek out viable story ideas, but to help you see how such initial sparks become, through the process of asking the right questions, and making the right decisions, enough to build a full world.
$19.99
This course is self-paced and on demand. You can go through the materials and complete assignments at your own pace. There is no instructor or peer interaction in this course.
High concept screenplays are what sell in Hollywood. They also make great writing samples for new screenwriters because it shows they have the skills it takes to create ideas with a strong and broad appeal. Writers—if they’re paying attention—come across a dozen potential story ideas every day, from snippets of overheard conversation, or an unusual headline, or a single image or gesture glimpsed out of the corner of the eye that starts the mind wandering. The real question is, How do we recognize those ideas that have the potential to be something more than a pleasant momentary distraction…that contain enough intrinsic intrigue, possibility, and tension to build a full story and even a full world around them, and which offer the writer ways of finding new dimensions of story and character throughout a long writing process?
This course will give writers tools for generating and refining high concept ideas, from paying attention to—and seeking out—those initial sparks of inspiration which might launch a screenplay to finding ways not just of sustaining the story but building its potential, forward momentum, and meaning. The goal of the course is not only to help you discover those places you might seek out viable story ideas, but to help you see how such initial sparks become, through the process of asking the right questions, and making the right decisions, enough to build a full world.
Course Details
Course outline
Session One: Inspiration And Developing Ideas
- Introduction To The Course
- Catching Glimpses & What If
- What If? – The Home Game
- Conflict & Protagonist
- The Artistic Influence
- Write What You Know?
Session Two: Combining Genres
- Primary Genre And Premise/Rules Of The World
- Secondary Genre And How It Informs Plot/Protagonist
- Playing With And Against Expectation
- Distrusting Tropes
Session Three: From Idea To Full Story
- Character: People, Not Plot Functions
- Internal And External Motivation
- Structure And Arc
- Putting It All Together
What will you learn?
- How to cultivate story ideas…and where to seek them out
- How to move from initial concept to story
- How to define plot, story structure, and character through primary and secondary genres
- How internal and external motivations turn characters into full people
- The importance of playing with and against expectation of genre and trope
- How a solid basic premise suggests story arc, structure, and stakes
Who should take this course?
- Writers who want to get from inspiration to full plot
- Writers wanting to understand the elements of a strong story for a screenplay
- Writers seeking tools to come back to again and again for compelling stories