The Anti-Hero's Journey for Storytellers

GLORIA KEMPTON

The Anti-Hero's Journey for Storytellers

GLORIA KEMPTON

$399.99


05/07/2026 - 07/02/2026

Enroll Now

You’ve created (or are creating) a character who won’t behave himself. If he’s the protagonist in your story, you may think you have a real problem here, as how are you going to make him sympathetic to the reader when he keeps robbing banks, pushing little old ladies out of his way when he’s crossing the street, and basically seems to care little about what’s expected of him in conventional society?

There’s a name for this character—the Anti-Hero.

Drawing from Joseph Campbell’s monomyth, in this course, we’ll study the Anti-Hero archetype, which most of the time, would be your story’s antagonist; how he moves, what’s important to him, what’s not, what motivates him, what doesn’t. This is the dark side of the Hero’s Journey. We’ll also study the Tragic Hero and how he directs his journey to its devastating end. Every character who opposes the good guy in your story is informed by one major archetype—the Shadow. Finally, we’ll discuss what goes into the development of this dark character if he’s your protagonist.

This class is for you if:

  • you’re writing a story with an anti-hero as the protagonist
  • you’re struggling with an anti-hero in your story who isn’t real enough, is too bad or isn’t bad enough
  • you simply want to learn more about how to effectively develop the “bad guy” in a story

$399.99


05/07/2026 - 07/02/2026

Enroll Now

You’ve created (or are creating) a character who won’t behave himself. If he’s the protagonist in your story, you may think you have a real problem here, as how are you going to make him sympathetic to the reader when he keeps robbing banks, pushing little old ladies out of his way when he’s crossing the street, and basically seems to care little about what’s expected of him in conventional society?

There’s a name for this character—the Anti-Hero.

Drawing from Joseph Campbell’s monomyth, in this course, we’ll study the Anti-Hero archetype, which most of the time, would be your story’s antagonist; how he moves, what’s important to him, what’s not, what motivates him, what doesn’t. This is the dark side of the Hero’s Journey. We’ll also study the Tragic Hero and how he directs his journey to its devastating end. Every character who opposes the good guy in your story is informed by one major archetype—the Shadow. Finally, we’ll discuss what goes into the development of this dark character if he’s your protagonist.

 

This class is for you if:

  • you’re writing a story with an anti-hero as the protagonist
  • you’re struggling with an anti-hero in your story who isn’t real enough, is too bad or isn’t bad enough
  • you simply want to learn more about how to effectively develop the “bad guy” in a story

Course Details

Course outline

  • Asynchronous Lessons: Access weekly lessons and assignments at your own pace
  • Personalized Feedback: Receive direct feedback

Meet the instructor

Gloria Kempton

Gloria Kempton is an author, writing coach and former magazine and book editor. She was raised by a professional romance writer who smoked all day while writing stories for true confession magazines. While the smoking had its downside, the writing took hold in Gloria’s soul when she was just nine years old. She wrote throughout grade school and high school, selling her first story at 21 years old.

She is now the author of hundreds of magazine articles and short stories and eleven books, including Write Great Fiction: Dialogue and The Outlaw’s Journey; A Mythological Approach to Storytelling for Writers Behind Bars. She’s a former contributing editor to Writer’s Digest magazine and an instructor with their online writing courses at Writers Digest University. Gloria brings Joseph Campbell’s mythological storytelling system, The Hero’s Journey, into correctional institutions throughout Washington state where the writers in her classes are learning to write their personal stories and become the heroes they were always meant to be.

Gloria’s love is the craft of storytelling—plotting, dialogue, setting, creating very real conflict on the page for story characters so that as they work on those conflicts, wrestling with demons and shadow characters along the way, they will emerge heroic at the end of their adventures. Or not, and that, too, is a lesson—the tragic hero’s journey. The Anti-hero’s journey. Gloria has learned that there are all kinds of heroes, and as we craft our story characters (whether memoir or novel), we learn about ourselves